Bearing witness is one of the primary ways that human beings hold each other up and help each other grow. Bearing witness is also one of the primary functions of art. No matter what we long for in our imagination, we are just as obliged to affirm the truth of how we mistreat each other and how we lift each other up.
Social media is becoming a modern form of bearing witness that is adding to our communal sense of art. In 2010, it was the viral use of Facebook that helped ignite the Arab Spring, a revolutionary wave of democratic demonstrations and protests leading to civil wars in oppressive societies in North Africa and the Middle East. The ability of citizens to film events in real time has led to an irrefutable bearing witness of excessive force by police throughout America.
This all speaks to the timeless power of naming things for what they are in the open. In 1981, the luminous poet Czeslaw Milosz was invited to give a series of talks at Harvard as part of the ongoing Charles Eliot Norton Lectures. The talks were published a few years later as his remarkable book, The Witness of Poetry. In these deep and sweeping talks, Milosz articulates his belief that poetry should be “a passionate pursuit of the real.” He challenges us to reclaim the power of art to mirror both the failings and blessings of the world. He offers that art, in particular poetry, is our enduring crucible in which to face the moral challenges of our time.
I would add that the chief function of art in all its forms is to marry what is with what can be. By voicing the truth of things as they are while enlivening our better angels, art helps us live …
Not only do artists and poets mirror our best and worst aspects, but they are often diagnosticians of the social body. The legendary blues musician Mose Allison tells the story of a prominent white educator who was studying the culture of the Hopi, the desert-dwelling Native American tribe of the Southwest. He found it strange that almost all Hopi music was about water and asked one of the native musicians why. The old Hopi man put down his wooden flute and explained that so much of their music was about water because that was what they had the least of. And then he told the white man, “Most of your music is about love.” This is another form of bearing witness, holding up the weakening patterns of our society.
— Mark Nepo from Drinking from the River of Light
The Handmade Life
Symbols for living creatively can pop up at the oddest times. When we lived in Pakistan many years ago, I was startled one morning to see our children’s ayah show up dressed in an unusual outfit. What was surprising about the knee-length shift she wore over baggy white pants wasn’t its design. The garment had the usual long, narrow sleeves, round neck and side slits. What riveted my attention was the fabric. It was pieced together from many items I’d thrown out. Recognizable were patches from the kid’s outgrown red denim coveralls, the flowered calico maternity dress I hoped I was done with for a while, a plaid flannel shirt that had once been my cousin’s and later served as a painter’s smock, and remnants of a checkered tablecloth my aunt had made for my first apartment.
It was like seeing my life flash before my eyes. I realized then what a life is made of: bits and pieces sewn together with care by hand. Each piece in the patchwork has special meaning just as each person’s life has special meaning. The creative, handmade life nourishes the maker and others, too, whether we know it or not.
— Mari Messer from Pencil Dancing
- Guide to Advent 2019
- Jesus Was A Refugee
- I Just Want To Do Love Right
- A Canvas
- There Are Words In Us
- To Enter the Song (The Real Challenge in Creativity)
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